Preamplifier For Soundcard Circuit

This schema can be used for inductive pick-up elements and dynamic microphones Most soundcards have a ‘line’ input and one for an electret (condenser) microphone. To be able to connect an inductive tape-recorder head or a dynamic microphone, an add-on preamplifier is needed. Even in this day and age of integrated microelectronics, a transistorised schema built from discrete part has a right of existence. The preamplifier described in this short article goes to show that it will be some time before discrete transistors are part of the silicon heritage. The preamplifier is suitable for use with a soundcard or the microphone input of a modem. As you will probably know, most sound-cards have input sockets for signals at line level (stereo), as well as one for a (mono) electret microphone.

For the applications we have in mind, connecting-up an inductive pick-up element or a dynamic microphone, both inputs are in principle suitable, provided the source signal is amplified as required. The author eventually chose the microphone input on the soundcard. Firstly, because the line inputs are usually occupied, and secondly, because the bias voltage supplied by the micro-phone input eliminates a separate power supply for the preamplifier. The microphone input of a soundcard will typically consist of a 3.5-mm jack socket in stereo version, although only one channel is available. The free contact is used by the soundcard to supply a bias voltage to the mono electret microphone. This voltage is accepted with thanks by the present preamplifier, and conveniently obviates an external (mains adaptor) power supply.

Circuit diagram:

Preamplifier For Soundcard Circuit Diagram

A classic design:

In true transistor-design fashion, the preamplifier consists of three stages. Capacitor C1 decouples the signal received from the microphone or pick-up element, and feeds it to the input of the first stage, a transistor in emitter configuration, biased to provide a current amplification of about 300 times. Together with the source impedance of the microphone or pick-up element, capacitors C2 and C3 form a low-pass filter which lightly reduces the bandwidth. In addition, the output low-pass, R2-C3, reduces the dynamic collector resistance at higher frequencies. In this way, the filter reduces the gain in the higher part of the frequency spectrum and so helps to eliminate any oscillation tendencies.

The first, high-gain, stage is terminated by T2. Unlike T1, this transistor does not add to the overall gain, because the output signal is taken from the emitter (common-collector schema). T2 thus acts as an impedance converter, with C4 reducing any tendency to oscillation. The output stage around T3 is a common-emitter schema again. In it, preset P1 determines the voltage amplification. T3 is biased by means of a direct-current feedback schema based on components R7 and C5. To this is added an ‘overruling’ dc feedback path back to the input transistor, via R6. This measure guarantees good dc stability in the preamplifier. The schema is small enough to be built on a piece of veroboard or stripboard, and yet remain reasonably compact.

To prevent interference from external sources, the completed board should be mounted in a properly Lcded (metal) enclosure, with the connections to the input source and the sound card made in Lcded cable. The preamplifier provides a frequency-linear response. In case the source signal is marked by frequency correction (e.g., RIAA), then a matching linearization schema should be used if the relevant signals are used by the computer.